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Diary of a Shinjuku Thief
ARTICLE
Why and for Whom Do We Film Today?
By
Abbas Kiarostami, Merzak Allouache, Gaston Kaboré, Nour-Eddine Sail
ARTICLE
The Sound of Godard
By
Michael Chanan
ARTICLE
The Hours Is Not a Film
By
John Bradburn
ARTICLE
London: Why Is It so Hard to Enjoy?
By
Mark Fisher
INTERVIEW
Painted Angels...
ARTICLE
Back Where We Come From...
By
James Leahy
REVIEW
The Main Course
By
the Celluloid Liberation Front
ARTICLE
Planet Film, 24 Frames at a Time
By
Nicholas Royle
ESSAY
Filming the ‘Unfilmable’: Thoughts on Shoah
By
Libby Saxton
ARTICLE
Blindfolded Architecture
By
Alicia Guerrero Yeste
ARTICLE
Film Criticism: Why Bother?
By
Chris Darke
REVIEW
Geoffrey Jones: The Rhythm of Film
By
Dai Vaughan
REVIEW
Distant Voices, Still Lives and Journeys of Desire
By
Jason Wood
ARTICLE
The Memo Book: The Films and Video of Matthias Muller
By
Stefanie Schulte Strathaus
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