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ARTICLE

Dancing at the Crossroads

By Sue Clayton

'16': 16 Films | 16 Filmmakers | 16mm

INTERVIEW

The Eyes Have It

By SF Said

Sex, Politics, Art and Revolution: French Cinema in 1968

See You Friday, Robinson

ARTICLE

In Search of a Secret History

By Lee Hill

ESSAY

The Negation of Cinema: Some Brief Notes on Letterist Cinema 1950 - 1952

By Louis Benassi

ESSAY

Blind Spot: Judy Price and Metaphors of Vision in Israel and Palestine

By Lucy Reynolds

ARTICLE

A Critical Voice

By Henry K Miller

ARTICLE

How the Mummy Came out of its Tomb

By Peter Lennon

Prisoner of Love: The Dead Dance (Takashi Ito after Jean Genet)

EDITORIAL

Volume 3 - Issue 6 - Editorial

By Gareth Evans

ARTICLE

Why and for Whom Do We Film Today?

By Abbas Kiarostami, Merzak Allouache, Gaston Kaboré, Nour-Eddine Sail

Related Items

ARTICLE

Dancing at the Crossroads

'16': 16 Films | 16 Filmmakers | 16mm

INTERVIEW

The Eyes Have It

Sex, Politics, Art and Revolution: French Cinema in 1968

See You Friday, Robinson

ARTICLE

In Search of a Secret History

ESSAY

The Negation of Cinema: Some Brief Notes on Letterist Cinema 1950 - 1952

ESSAY

Blind Spot: Judy Price and Metaphors of Vision in Israel and Palestine

ARTICLE

A Critical Voice

ARTICLE

How the Mummy Came out of its Tomb

Prisoner of Love: The Dead Dance (Takashi Ito after Jean Genet)

EDITORIAL

Volume 3 - Issue 6 - Editorial

ARTICLE

Why and for Whom Do We Film Today?

Pierrot le fou

Letter to Jane: An Investigation About a Still