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ESSAY
Scénario du Film Passion: Writing Video at the End of Cinema
By
Duncan White
Take Two: Zero for Conduct / The 400 Blows
Breathless
Summer with Monika
Le doulos
Contempt
First Name: Carmen
A Film Like Any Other
Persona
ARTICLE
Why and for Whom Do We Film Today?
By
Abbas Kiarostami, Merzak Allouache, Gaston Kaboré, Nour-Eddine Sail
ESSAY
Blind Spot: Judy Price and Metaphors of Vision in Israel and Palestine
By
Lucy Reynolds
ARTICLE
The History of Cinema and History in Cinema
By
Chris Petit
REVIEW
In Pursuit of Treasure Island: Raul Ruiz is on the Trail of a Classic
By
James Norton
ESSAY
Filming the ‘Unfilmable’: Thoughts on Shoah
By
Libby Saxton
ARTICLE
Reading the Modern: Narratives in Cinema and Literature
By
Dorota Ostrowska
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