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ARTICLE

Why and for Whom Do We Film Today?

By Abbas Kiarostami, Merzak Allouache, Gaston Kaboré, Nour-Eddine Sail

REVIEW

The Bigger Picture

By Jason Wood

ESSAY

Blind Spot: Judy Price and Metaphors of Vision in Israel and Palestine

By Lucy Reynolds

ARTICLE

Henri Storck – Documentarist, Surrealist, Anarchist

By Julian Petley

ARTICLE

Image Picture Frame

By Jon Jost, Patrick Keiller, Sam Lamche McMullen, John Maybury and Amie Siegel

INTERVIEW

The Eyes Have It

By SF Said

ARTICLE

First World Film

By Mark Cousins

OBITUARY

The Chronicle of Daniele Huillet

By James Norton

DOCUMENT

For Tomorrow’s Witness

By The filmmakers of Lebanon | Israel

ARTICLE

King Lear

By James Norton

ARTICLE

Godard in the Gallery: Story of a Ruination

By Adrian Martin

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ARTICLE

Why and for Whom Do We Film Today?

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Blind Spot: Judy Price and Metaphors of Vision in Israel and Palestine

ARTICLE

Henri Storck – Documentarist, Surrealist, Anarchist

ARTICLE

Image Picture Frame

INTERVIEW

The Eyes Have It

ARTICLE

First World Film

OBITUARY

The Chronicle of Daniele Huillet

DOCUMENT

For Tomorrow’s Witness

ARTICLE

King Lear

ARTICLE

Godard in the Gallery: Story of a Ruination

Take Two: Beau Travail / Pola X

Sex, Politics, Art and Revolution: French Cinema in 1968

Persona

A Woman Is a Woman