Archives

By Juliet Jacques

ARTICLE

Future of the BFI: Grandeur and Misery of Film Culture

By Geoffrey Nowell-Smith

ARTICLE

The Critic as Censor

By Julian Petley

Edge of Frame: Elemental Animation

ARTICLE

Vertigo Café: Illuminating Cinematography

By Cathy Greenhalgh

Mairéad McClean: Rerecorded Pasts

Close-Up on Shirley Clarke

ARTICLE

Joined-up Reading: The Problem of Subtitles

By Jane Giles

Stephanie Barber: Letters, Notes

ARTICLE

Real Lives: Italian People Shows

By Rita Crisci

Political Allegories

ARTICLE

A Way of Not Losing Heart: Independent Image-making in Occupied Iraq

By Maysoon Pachachi

Gwendolyn Leick: Things as they Were

ARTICLE

Visible Thresholds: The Imaginary Cinema of Janet Cardiff and George Bures Miller

By Davina Quinlivan

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24 Frames a Second: Peter Tscherkassky, Gustav Deutsch and the Austrian Avant-Garde

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Future of the BFI: Grandeur and Misery of Film Culture

ARTICLE

The Critic as Censor

Edge of Frame: Elemental Animation

ARTICLE

Vertigo Café: Illuminating Cinematography

Mairéad McClean: Rerecorded Pasts

Close-Up on Shirley Clarke

ARTICLE

Joined-up Reading: The Problem of Subtitles

Stephanie Barber: Letters, Notes

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Real Lives: Italian People Shows

Political Allegories

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A Way of Not Losing Heart: Independent Image-making in Occupied Iraq

Gwendolyn Leick: Things as they Were

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Visible Thresholds: The Imaginary Cinema of Janet Cardiff and George Bures Miller