Archives

ARTICLE

Why and for Whom Do We Film Today?

By Abbas Kiarostami, Merzak Allouache, Gaston Kaboré, Nour-Eddine Sail

ARTICLE

People who Move to the City either Become Arrogant or Scoundrels

By Elke de Wit

ARTICLE

We Have Been Here Before

By Margaret Dickinson

ESSAY

'68, Once Again: Image Preservation and the Women's Movement

By Helke Sander

ARTICLE

Two Views of Cannes: Cannes Do

By Sue Clayton

The Early Films of Peter Greenaway: Vertical Features Remake + A Walk Through H

ARTICLE

‘He was the only man I had been waiting for.’ Monsieur Artaud and Monsieur Prevel

By Patricia Duncker

MANIFESTO

Anthanasian, Under the Magic Lantern

By Fernando Birri

Eraserhead

ARTICLE

Truth 24 Times a Second: DocLisboa 2007

By James Norton

ARTICLE

Godard's Sons: Why Are they all Bastards?

By Laurence Remila

When the Sun Is Eaten

ARTICLE

Decolonizing the Mind

By James Neil

ARTICLE

Joined-up Reading: The Problem of Subtitles

By Jane Giles

Related Items

ARTICLE

Why and for Whom Do We Film Today?

ARTICLE

People who Move to the City either Become Arrogant or Scoundrels

ARTICLE

We Have Been Here Before

ESSAY

'68, Once Again: Image Preservation and the Women's Movement

ARTICLE

Two Views of Cannes: Cannes Do

The Early Films of Peter Greenaway: Vertical Features Remake + A Walk Through H

ARTICLE

‘He was the only man I had been waiting for.’ Monsieur Artaud and Monsieur Prevel

MANIFESTO

Anthanasian, Under the Magic Lantern

Eraserhead

ARTICLE

Truth 24 Times a Second: DocLisboa 2007

ARTICLE

Godard's Sons: Why Are they all Bastards?

When the Sun Is Eaten

ARTICLE

Decolonizing the Mind

ARTICLE

Joined-up Reading: The Problem of Subtitles

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