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ARTICLE
Why and for Whom Do We Film Today?
By
Abbas Kiarostami, Merzak Allouache, Gaston Kaboré, Nour-Eddine Sail
ARTICLE
Future of the BFI: Grandeur and Misery of Film Culture
By
Geoffrey Nowell-Smith
REVIEW
Claiming the Real: The Documentary Film Revisited by Brian Winston
By
Margaret Dickinson
INTERVIEW
Living in the Dark: An Interview with Jonathan Romney
By
Chris Darke
REVIEW
Rabbit Unrest
By
Joy Damousi
ARTICLE
Writing as Magic in London in Its Summer: Iain Sinclair and the Crafting of Place
By
Kathy Acker
ARTICLE
Free Cinema Edgware Road
By
James Norton
ARTICLE
The History of Cinema and History in Cinema
By
Chris Petit
INTERVIEW
Painted Angels...
MANIFESTO
The Double {+} Anchor: Notes Towards a Common Cause
By
Jem Cohen
ARTICLE
Holding Patterns and Long Tails: Benten Films and the Distribution of the Future
By
Ben Slater
INTERVIEW
Arctic Dreams: Asif Kapadia, Far North and the Possibilities of Cinema
By
Gareth Evans
ARTICLE
A Year of Living Dangerously
By
James Norton
REVIEW
The Eventless and the Event
By
Steven Eastwood
ARTICLE
The White Horse, Seul Contre Tous and Notes on Meat as Metaphor
By
Jane Giles
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