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REVIEW

The Story of Film

By Sukhdev Sandhu
MANIFESTO

Oblique Viewing

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In this World

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(Un)real Versions of Experience

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Nothing Is True. Everything Is Permissible.

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David Holzman’s Diary

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A Letter to a Boy from his Mother

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Reverse Angle: The 1960s and the Possibility of Radical Underground Film in Japan

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Letter from Ouagadougou: On Fespaco’s Fringe

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Doomed L’Amour de la Mer

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