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ARTICLE
The Hills Are Alive
By
Kieron Corless
BIOGRAPHY
Remembering Margaret Tait (1918-1999)
By
Annabel Nicolson, Peter Todd, Ute Aurand, Sarah Wood
ARTICLE
Fascination (1942-2005)
By
Mike Hoolboom
ARTICLE
Pier Paolo Pasolini
By
John Berger
ARTICLE
Reverse Angle: The 1960s and the Possibility of Radical Underground Film in Japan
By
Go Hirasawa
ARTICLE
The Cinematic Tango: Contemporary Argentine Film
By
Tamara Falicov
INTERVIEW
The London Film School at 50
By
Robert Chilcott
ARTICLE
Africa in Motion
By
Mark Cousins
ARTICLE
Nothing is More Bourgeois than Being Afraid to Look Bourgeois
By
Robert Chilcott
ARTICLE
Singapore Sings
By
Ben Slater
ARTICLE
Look at that, you Won't See that again!
By
Elke de Wit
ARTICLE
The Sins of the Father: Andrei Zvyagintsev in Conversation
By
James Norton
ARTICLE
Getting Up Before the State: China and Change Since 1989
By
Poppy Sebag Montefiore
ARTICLE
Kinoteka: Notes Towards London’s Sixth Polish Film Festival
By
Nancy Harrison
ARTICLE
A Cinema of Challenge
By
Christophe Hochhäusler
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