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ARTICLE

I Long for Stalin and I Want Good Violence

By Elke De Witt

ARTICLE

“The skin, the aging, the imperfection, the colour, the beauty”

By Sophie Mayer

ARTICLE

Visual Art and the Moving Image

By James Swinson

INTERVIEW

Silence. Repetition. Rhythm. Into Great Silence and the Cinema of Spirit

ARTICLE

Expanded Practice in Television: Defending the Right to Difference

By William Raban

ARTICLE

In Memoriam

By Nick Bradshaw

ARTICLE

Film Frame to Skin Cell

By Niamh McDonnell

ARTICLE

Kinoteka: Notes Towards London’s Sixth Polish Film Festival

By Nancy Harrison

Close-Up on Lars von Trier

ARTICLE

Luminous Days: Notes on the New German Cinema

By Ekkehard Knörer

ARTICLE

On Finishing Memories of a Future: The Spanish Civil War 70 Years on

By Margaret Dickinson

ESSAY

Scénario du Film Passion: Writing Video at the End of Cinema

By Duncan White

ARTICLE

Three Exercises in Symmetry: Marcel Carné and Filmic Formalities

By Dai Vaughan

INTERVIEW

Let a Thousand Flowers Bloom

By Holly Aylett

Related Items

ARTICLE

I Long for Stalin and I Want Good Violence

ARTICLE

“The skin, the aging, the imperfection, the colour, the beauty”

ARTICLE

Visual Art and the Moving Image

INTERVIEW

Silence. Repetition. Rhythm. Into Great Silence and the Cinema of Spirit

ARTICLE

Expanded Practice in Television: Defending the Right to Difference

ARTICLE

In Memoriam

ARTICLE

Film Frame to Skin Cell

ARTICLE

Kinoteka: Notes Towards London’s Sixth Polish Film Festival

Close-Up on Lars von Trier

ARTICLE

Luminous Days: Notes on the New German Cinema

ARTICLE

On Finishing Memories of a Future: The Spanish Civil War 70 Years on

ESSAY

Scénario du Film Passion: Writing Video at the End of Cinema

ARTICLE

Three Exercises in Symmetry: Marcel Carné and Filmic Formalities

INTERVIEW

Let a Thousand Flowers Bloom

Something to Live for