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By Malcolm Le Grice

Two Years at Sea

ARTICLE

Two Views of Cannes: Cannes Do

By Sue Clayton

A Conversation Between Narcisa Hirsch and Chantal Akerman

ARTICLE

Vertigo Café: Illuminating Cinematography

By Cathy Greenhalgh

ESSAY

Artists’ Creative Responses to To Liv(e)

By Bo Choy, Eric Yip, Tim Tim Cheng, Wency Lam, Yan Wai Yin Winnie

ARTICLE

Two Men with Flowering Branches

By Graeme Hobbs

Christelle Oyiri

INTERVIEW

Everywhere Is Different and Everywhere Is the Same: Frederick Wiseman and the Making of the World

By Robert Chilcott

Close-Up Year 20

ESSAY

Blind Spot: Judy Price and Metaphors of Vision in Israel and Palestine

By Lucy Reynolds

REVIEW

Apichatpong Weerasethakul

By Rob Dennis

ARTICLE

My Grandfather’s House

By James Leahy

INTERVIEW

The Dardenne Brothers

By Robert Chilcott

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Two Years at Sea

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Two Views of Cannes: Cannes Do

A Conversation Between Narcisa Hirsch and Chantal Akerman

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Vertigo Café: Illuminating Cinematography

ESSAY

Artists’ Creative Responses to To Liv(e)

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Two Men with Flowering Branches

Christelle Oyiri

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Everywhere Is Different and Everywhere Is the Same: Frederick Wiseman and the Making of the World

Close-Up Year 20

ESSAY

Blind Spot: Judy Price and Metaphors of Vision in Israel and Palestine

REVIEW

Apichatpong Weerasethakul

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My Grandfather’s House

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The Dardenne Brothers