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REVIEW

Pasolini and Sade: A Maleficent Obsession

By Stephen Barber

REVIEW

The Main Course

By the Celluloid Liberation Front

The Edge of Belief

ARTICLE

Image Picture Frame

By Jon Jost, Patrick Keiller, Sam Lamche McMullen, John Maybury and Amie Siegel

ARTICLE

Driessen: Multiple Image and Audience Expectation

By Ruth Lingford

Islands of Fire: The Cinema of Vittorio De Seta

QUESTION AND ANSWER

Bearing Witness... Tony Garnett on Cops, Community and the TV Audience

By M.K. MacMurraugh-Kavanagh

What Rules the Invisible

ARTICLE

Planet Film, 24 Frames at a Time

By Nicholas Royle

(In)Visible Cities

ARTICLE

The Emotional Documentaries of Jerzy Kucia

By Gillian Lacey

REVIEW

Transcending the Abject: A review of Seul contre tous

By Tony McKibbin

Native Son

INTERVIEW

The Mystery, as Always: Raúl Ruiz, Klimt and the Poetics of Cinema

By James Norton

Related Items

REVIEW

Pasolini and Sade: A Maleficent Obsession

REVIEW

The Main Course

The Edge of Belief

ARTICLE

Image Picture Frame

ARTICLE

Driessen: Multiple Image and Audience Expectation

Islands of Fire: The Cinema of Vittorio De Seta

QUESTION AND ANSWER

Bearing Witness... Tony Garnett on Cops, Community and the TV Audience

What Rules the Invisible

ARTICLE

Planet Film, 24 Frames at a Time

(In)Visible Cities

ARTICLE

The Emotional Documentaries of Jerzy Kucia

REVIEW

Transcending the Abject: A review of Seul contre tous

Native Son

INTERVIEW

The Mystery, as Always: Raúl Ruiz, Klimt and the Poetics of Cinema

King Lear