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ARTICLE
Viva Viva: An Exhibition at P3 Gallery, London, December 2008
By
Anne Robinson
ARTICLE
You See the End Before the Beginning Has Ever Begun
By
Owen Armstrong
REVIEW
Pasolini and Sade: A Maleficent Obsession
By
Stephen Barber
INTERVIEW
Close Up on a Field without Definition
By
David Curtis, Gary Thomas and William Raban
ARTICLE
Throw Your Watch to the Water
By
Lucy Reynolds
ARTICLE
William Kentridge at The Serpentine
By
Ruth Lingford
REVIEW
A. L. Rees's A History of Experimental Film and Video
By
Felicity Sparrow
ARTICLE
Controlled Collisions
By
Tony Grisoni
OBITUARY
We do everything for this art, but this art isn’t everything
By
George Clark and Redmond Entwistle
ARTICLE
A Backward Glance at a Retrospective
By
John Krish
OBITUARY
Independent Days: Remembering Derek Jarman
By
Tony Peake
ARTICLE
Nothing Is True. Everything Is Permissible.
By
John Bradburn
ARTICLE
An Old Place
By
Cyril Neyrat
ARTICLE
Vertigo and RePossessed
By
Nick Haeffner
ESSAY
From First Principles: A Prehistory of the Slade Film Department
By
Henry K. Miller
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