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Mairéad McClean: Rerecorded Pasts
REVIEW
Framing a Sadness
By
Paul Buck
Oliver Ressler: This Is What Democracy Looks Like
ARTICLE
The Emotional Documentaries of Jerzy Kucia
By
Gillian Lacey
REVIEW
Transcending the Abject: A review of Seul contre tous
By
Tony McKibbin
The Firemen’s Ball / Together
ESSAY
The Image Speaks: Miloš Forman and Free Cinema
By
Peter Hames
ARTICLE
Documentary on the Move
By
Amy Hardie
Larry Gottheim’s Early Works
ARTICLE
Telling Visions: Pictures from Palestine
By
Daoud Kuttab
Take Two: Johnny Guitar / Pierrot le fou
INTERVIEW
Fries, Dam Lies and Videotape
By
Lizzie Gillett
ESSAY
Simone Weil: Notes on a Timid Cinema
By
Anat Pick
Black Girl + Borom Sarret
ARTICLE
London Eyes
By
Stephen Barber and Jeremy Reed
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