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ARTICLE
The Enemy in the Brain
By
Julian Petley, James Leahy
ARTICLE
Images for a Resistance: The Birth of Kurdish Television
By
Laura Davidson
ARTICLE
Why and for Whom Do We Film Today?
By
Abbas Kiarostami, Merzak Allouache, Gaston Kaboré, Nour-Eddine Sail
ARTICLE
Two Views of Cannes: Cannes Do
By
Sue Clayton
ARTICLE
The Critic as Censor
By
Julian Petley
INTERVIEW
Return of the Reforgotten
By
Vertigo
ARTICLE
A Way of Not Losing Heart: Independent Image-making in Occupied Iraq
By
Maysoon Pachachi
ESSAY
At Risk of Interment: WG Sebald in Terezin and Breendonk
By
Will Stone
ARTICLE
The Hours Is Not a Film
By
John Bradburn
ARTICLE
I never thought that one day I’d have to pin my hopes on Hitler
By
Elke De Wit
ARTICLE
The History of Cinema and History in Cinema
By
Chris Petit
ARTICLE
BFI Films: A Remit for Cultural Diversity
By
Jane Giles
ESSAY
The Cinema Effect
By
Patrick Ellis
INTERVIEW
Attention: Benedek Fliegauf, Milky Way and a Cinema of Meditation
By
John Bradburn
ARTICLE
The State of Independence
By
Andrea Corbett
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