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ARTICLE
Light Reading
By
Gareth Evans
Three Colours: White
Trilogies and Triptychs
Three Colours: Red
ARTICLE
Visionary Storytelling: Edgar Reitz’s Die Zweite Heimat
By
John Mepham
ARTICLE
Joined-up Reading: The Problem of Subtitles
By
Jane Giles
ESSAY
Simone Weil: Notes on a Timid Cinema
By
Anat Pick
LETTER
Rue Des Canettes: A Story of Paris
By
Eugène Green
Second Run: The Third Part of the Night
Close-Up on Orson Welles
Edge of Frame: Collision #2
ARTICLE
Why and for Whom Do We Film Today?
By
Abbas Kiarostami, Merzak Allouache, Gaston Kaboré, Nour-Eddine Sail
ARTICLE
Don't Try this at Home: Tarantino
By
Ian Penman
POEM
Hideyhole and the Innersanctum
By
Andrew Kötting
ESSAY
The Image Speaks: Miloš Forman and Free Cinema
By
Peter Hames
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