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ARTICLE
Kate Adams: Feeling and Knowing
By
Catherine Elwes
INTERVIEW
For Cannes or Abidjan?
By
Holly Aylett
ARTICLE
Telling it Like it Is: A Report from the Sheffield International Documentary Festival
By
Holly Aylett
DIARY
I’m too sad to tell you about I’m Too Sad to Tell You
By
Juliet Jacques
Colourmation: Deborah S Phillips & Karel Doing
ARTICLE
Turning to Dust: The Gothic Cinema of Philip Ridley
By
James Rose
ARTICLE
The Maltese Double Cross: Allan Francovich’s Film on Lockerbie and the CIA
By
Michael Chanan
ARTICLE
Cobra Mist: Emily Richardson and the Legacy of Orford Ness
By
Will Stone
ARTICLE
Persistent Fallacy Gives Good Rhetoric
By
James Leahy
DOCUMENT
The Quay Brothers Dictionary
By
Michael Brooke
ESSAY
Personal Cinema: Józef Robakowski’s Cinematic Works
By
Patricia Grzonka
Old Joy
Missing Links
ESSAY
Trailer for Godard's Histoire(s) du Cinema
By
Jonathan Rosenbaum
INTERVIEW
Attention: Benedek Fliegauf, Milky Way and a Cinema of Meditation
By
John Bradburn
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