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A Worm’s Tail View Is Often the True One: Films by Pere Portabella
Never on Sunday
John Smith: Introspective Programme 4 (1985-92)
Deep End
ARTICLE
Why and for Whom Do We Film Today?
By
Abbas Kiarostami, Merzak Allouache, Gaston Kaboré, Nour-Eddine Sail
ARTICLE
‘He was the only man I had been waiting for.’ Monsieur Artaud and Monsieur Prevel
By
Patricia Duncker
ARTICLE
Vertigo Café: Friends of the BFI
By
Julian Petley
ESSAY
The Empire’s New Clothes: Sally Potter’s RAGE
By
Sophie Mayer
INTERVIEW
A Quiet Chaos
By
James Norton
ARTICLE
Power to the Pixel: Discovering the Potential of the Digital
By
Nikki Nime
ARTICLE
From Darkness into Light: Policies for Audiovisual Development in Africa
By
Rasmane Ouedraougu
ARTICLE
Kate Adams: Feeling and Knowing
By
Catherine Elwes
ARTICLE
Man in a Box
By
Anita Biressi and Heather Nunn
DOCUMENT
Fragments from Zeroville
By
Chris Darke
REVIEW
The Poetry of Commitment
By
Gareth Evans
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