Archives

ARTICLE

Reverse Angle: The 1960s and the Possibility of Radical Underground Film in Japan

By Go Hirasawa

ARTICLE

Why Do You Make Films?: Film as a Bridge

By Víctor Erice

ESSAY

A Photograph and a Camera: Two Objects in Film Socialisme

By Roland-François Lack

ARTICLE

Film as Subversive Art

By Scott MacDonald

ARTICLE

In Mystery Shrouded: On the Quays’ New Film

By Paul Hammond and The Brothers Quay

ARTICLE

Disreputable Behaviour: The Hidden Politics of the Thai Film Act

By May Adadol Ingawanij

INTERVIEW

The History that Keeps Coming Back

By Antoine de Baecque

November Film Festival Programme 7

Norte, the End of History

Earth as History: Moving Images and Ecologies in Southeast Asia

Helsinki, Forever + Midnight Sun Film Festival

ARTICLE

Guy Maddin’s History of Cinema

By Fergal Byrne

London Korean Film Festival

ARTICLE

Opportunities Knocked: Regional Broadcasters and Grant-Aided Film Production

By Richard Taylor

Related Items

ARTICLE

Reverse Angle: The 1960s and the Possibility of Radical Underground Film in Japan

ARTICLE

Why Do You Make Films?: Film as a Bridge

ESSAY

A Photograph and a Camera: Two Objects in Film Socialisme

ARTICLE

Film as Subversive Art

ARTICLE

In Mystery Shrouded: On the Quays’ New Film

ARTICLE

Disreputable Behaviour: The Hidden Politics of the Thai Film Act

INTERVIEW

The History that Keeps Coming Back

November Film Festival Programme 7

Norte, the End of History

Earth as History: Moving Images and Ecologies in Southeast Asia

Helsinki, Forever + Midnight Sun Film Festival

ARTICLE

Guy Maddin’s History of Cinema

London Korean Film Festival

ARTICLE

Opportunities Knocked: Regional Broadcasters and Grant-Aided Film Production

The Liberated Film Club: David Keenan