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ARTICLE

Vertigo Café: 'Screen Griots' African Cinema in London

By Michael Chanan

The Liberated Film Club XII with Stewart Home

REVIEW

Plot in Cinematography: Victor Shklovsky, Literature and Cinematography

By Victor Shklovsky

ARTICLE

The State of Things: Transition in South African Cinema

By Jeremy Nathan

ARTICLE

Why and for Whom Do We Film Today?

By Abbas Kiarostami, Merzak Allouache, Gaston Kaboré, Nour-Eddine Sail

ARTICLE

Reading the Modern: Narratives in Cinema and Literature

By Dorota Ostrowska

REVIEW

A. L. Rees's A History of Experimental Film and Video

By Felicity Sparrow

ARTICLE

African Cinema: Addressee

By Rod Stoneman

ESSAY

Scénario du Film Passion: Writing Video at the End of Cinema

By Duncan White

November Film Festival Programme 6

Notes Towards an African Orestes

November Film Festival Programme 5

Non-Aligned Film Archives 02: Regards Inversés (Med Hondo)

ESSAY

Entering the Desert: The Book of Film Socialisme

By James S. Williams

Related Items

ARTICLE

Vertigo Café: 'Screen Griots' African Cinema in London

The Liberated Film Club XII with Stewart Home

REVIEW

Plot in Cinematography: Victor Shklovsky, Literature and Cinematography

ARTICLE

The State of Things: Transition in South African Cinema

ARTICLE

Why and for Whom Do We Film Today?

ARTICLE

Reading the Modern: Narratives in Cinema and Literature

REVIEW

A. L. Rees's A History of Experimental Film and Video

ARTICLE

African Cinema: Addressee

ESSAY

Scénario du Film Passion: Writing Video at the End of Cinema

November Film Festival Programme 6

Notes Towards an African Orestes

November Film Festival Programme 5

Non-Aligned Film Archives 02: Regards Inversés (Med Hondo)

ESSAY

Entering the Desert: The Book of Film Socialisme

Histoire(s) du cinéma