Archives

ARTICLE

Why and for Whom Do We Film Today?

By Abbas Kiarostami, Merzak Allouache, Gaston Kaboré, Nour-Eddine Sail

Never on Sunday

ARTICLE

In Search of a Secret History

By Lee Hill

ESSAY

"I am playing leapfrog with myself"

By Jürgen E. Müller

ESSAY

“Elpenor, Unburied”: Ezra Pound, Jean-Luc Godard and the Descent of Dwelling

By Corin Depper

ESSAY

"Tensional Differences": The Anxiety of Re-Mediation in Jean-Luc Godard’s New Wave Films

By Ágnes Pethő

INTERVIEW

At Least I Will Know My Face

By Lucy Reynolds

INTERVIEW

Binka: To Tell a Story About Silence

By Sean Kaye-Smith

ARTICLE

Cinematic Rebellion

By Lucinda Henderson and Brian Robinson

ARTICLE

Vamp (vāmp) n. Something Rehashed, as a Book Based on Old Material

By Rosy Rockets

ESSAY

The Interventions of Jean-Luc Godard and Chris Marker into Contemporary Visual Art

By David Brancaleone

ARTICLE

Considerations

By Gareth Evans

ARTICLE

Diversity of the Maple

By Richard Mowe

ESSAY

Motion Sickness: Matthew Noel-Tod’s Nausea

By Steven Ball

Related Items

ARTICLE

Why and for Whom Do We Film Today?

Never on Sunday

ARTICLE

In Search of a Secret History

ESSAY

"I am playing leapfrog with myself"

ESSAY

“Elpenor, Unburied”: Ezra Pound, Jean-Luc Godard and the Descent of Dwelling

ESSAY

"Tensional Differences": The Anxiety of Re-Mediation in Jean-Luc Godard’s New Wave Films

INTERVIEW

At Least I Will Know My Face

INTERVIEW

Binka: To Tell a Story About Silence

ARTICLE

Cinematic Rebellion

ARTICLE

Vamp (vāmp) n. Something Rehashed, as a Book Based on Old Material

ESSAY

The Interventions of Jean-Luc Godard and Chris Marker into Contemporary Visual Art

ARTICLE

Considerations

ARTICLE

Diversity of the Maple

ESSAY

Motion Sickness: Matthew Noel-Tod’s Nausea

Close-Up on Chantal Akerman