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By Jerry White

Film Course: Surrealism in Cinema from Luis Buñuel to David Lynch

Urban, Natural, Human: Exploring Japan on Screen

INTERVIEW

The Mystery, as Always: Raúl Ruiz, Klimt and the Poetics of Cinema

By James Norton

ARTICLE

Crossing the Borderline

By Sophie Mayer

ARTICLE

Why and for Whom Do We Film Today?

By Abbas Kiarostami, Merzak Allouache, Gaston Kaboré, Nour-Eddine Sail

Never on Sunday

ARTICLE

In Search of a Secret History

By Lee Hill

ESSAY

"I am playing leapfrog with myself"

By Jürgen E. Müller

ESSAY

“Elpenor, Unburied”: Ezra Pound, Jean-Luc Godard and the Descent of Dwelling

By Corin Depper

ARTICLE

First World Film

By Mark Cousins

ESSAY

"Tensional Differences": The Anxiety of Re-Mediation in Jean-Luc Godard’s New Wave Films

By Ágnes Pethő

INTERVIEW

At Least I Will Know My Face

By Lucy Reynolds

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Film Course: Surrealism in Cinema from Luis Buñuel to David Lynch

Urban, Natural, Human: Exploring Japan on Screen

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The Mystery, as Always: Raúl Ruiz, Klimt and the Poetics of Cinema

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Crossing the Borderline

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Why and for Whom Do We Film Today?

Never on Sunday

ARTICLE

In Search of a Secret History

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"I am playing leapfrog with myself"

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“Elpenor, Unburied”: Ezra Pound, Jean-Luc Godard and the Descent of Dwelling

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First World Film

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"Tensional Differences": The Anxiety of Re-Mediation in Jean-Luc Godard’s New Wave Films

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At Least I Will Know My Face