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By Dalia Neis

A Worm’s Tail View Is Often the True One: Films by Pere Portabella

Edge of Frame: Collision #2

EDITORIAL

Volume 3 - Issue 6 - Editorial

By Gareth Evans

ARTICLE

The Children of Godard and 90s TV

By James Leahy, Jamie Payne, David Styan, Karen Alexander

ARTICLE

In The Room: Lost Cinema, Post-Cinema, Post-Traumatic Cinema

By Chris Petit

ARTICLE

Don't Try this at Home: Tarantino

By Ian Penman

REVIEW

The Main Course

By the Celluloid Liberation Front

INTERVIEW

Remixing Hollywood

By Nadine Poulain

REVIEW

Transcending the Abject: A review of Seul contre tous

By Tony McKibbin

ARTICLE

Still/Moving: Desire Paths in Dryden Goodwin's Flight

By Gareth Evans

REVIEW

Telling it Like it (Actually) Is

By Gabriel Carlyle

LETTER

Romantic, Beyond, Impossible and Heartbreaking

By Ian White

ARTICLE

John Berger In Silence

By Tereza Stehlikova

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A Worm’s Tail View Is Often the True One: Films by Pere Portabella

Edge of Frame: Collision #2

EDITORIAL

Volume 3 - Issue 6 - Editorial

ARTICLE

The Children of Godard and 90s TV

ARTICLE

In The Room: Lost Cinema, Post-Cinema, Post-Traumatic Cinema

ARTICLE

Don't Try this at Home: Tarantino

REVIEW

The Main Course

INTERVIEW

Remixing Hollywood

REVIEW

Transcending the Abject: A review of Seul contre tous

ARTICLE

Still/Moving: Desire Paths in Dryden Goodwin's Flight

REVIEW

Telling it Like it (Actually) Is

LETTER

Romantic, Beyond, Impossible and Heartbreaking

ARTICLE

John Berger In Silence