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ARTICLE

Visual Art and the Moving Image

By James Swinson

Fireflies Issue #4: Pedro Costa / Ben Rivers Launch + What Means Something & Sack Barrow

ARTICLE

Expanded Practice in Television: Defending the Right to Difference

By William Raban

Shoot Shoot Shoot: Mare’s Tail

ARTICLE

And this is Now: Reflection on Eight Months of the Lux Cinema

By Helen de Witt

Bright Waters: The Films of Jessica Sarah Rinland

ARTICLE

Desire in Action: The Cube Microplex and the Future of Cinema

By Graeme Hogg and Chris Williams

ARTICLE

Look Around You, What Beauty! Long Live Kazakhstan

By John Gorick

Abbas Kiarostami: Early Works

ARTICLE

Iranian Impromptu

By Jack McNamara

Peter Hutton's Haikus II

ARTICLE

The White Spirits: From Bolshevism to Belfast, a Work and Life in Progress

By Daniel Edelstyn

The Enigma of Kaspar Hauser

INTERVIEW

Science and its Signs

By James Leahy

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ARTICLE

Visual Art and the Moving Image

Fireflies Issue #4: Pedro Costa / Ben Rivers Launch + What Means Something & Sack Barrow

ARTICLE

Expanded Practice in Television: Defending the Right to Difference

Shoot Shoot Shoot: Mare’s Tail

ARTICLE

And this is Now: Reflection on Eight Months of the Lux Cinema

Bright Waters: The Films of Jessica Sarah Rinland

ARTICLE

Desire in Action: The Cube Microplex and the Future of Cinema

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Look Around You, What Beauty! Long Live Kazakhstan

Abbas Kiarostami: Early Works

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Iranian Impromptu

Peter Hutton's Haikus II

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The White Spirits: From Bolshevism to Belfast, a Work and Life in Progress

The Enigma of Kaspar Hauser

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Science and its Signs

Close-Up Film Course: Surrealism and Cinema from Luis Buñuel to David Lynch