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Close-Up New Year's Eve: The Last Movie
Kuldesak
A Worm’s Tail View Is Often the True One: Films by Pere Portabella
Histoire(s) du cinéma
Edge of Frame: Heavenly Bodies
Daughters of the Dust
London Recorder: William English / Emily Richardson / John Rogers / Andrew Vallance
Our Mother's House
ESSAY
The Double Morality of Cinema
By
Julio Garcia Espinosa
ARTICLE
The Very Model of a Funding Agency: Reflections on the London Film and Video Development Agency
By
Steve McIntyre
LETTER
A Word in your Ear, Minister...
By
Julian Petley
ESSAY
Blind Spot: Judy Price and Metaphors of Vision in Israel and Palestine
By
Lucy Reynolds
ARTICLE
Arden / Bond / Sound / Vision
By
Sean Kaye-Smith
ARTICLE
Wake Up, Freak Out – Then Get a Grip
By
Leo Murray
ARTICLE
You See the End Before the Beginning Has Ever Begun
By
Owen Armstrong
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