Archives

ARTICLE

The Hills Are Alive

By Kieron Corless

ARTICLE

Guy Maddin’s History of Cinema

By Fergal Byrne

REVIEW

Video Art

By Catherine Elwes

ARTICLE

Return of the Real: Introducing The Artists Cinema

By George Clark

QUESTION AND ANSWER

Pawel Pawlikowski Masterclass: Between Documentary and Drama

By Doc House

INTERVIEW

Return of the Frontiersman: Rudy Wurlitzer in Conversation

By Lee Hill

ARTICLE

To See, If Only Once: Eurydice - She, So Beloved…

By James Rose

ARTICLE

Film Frame to Skin Cell

By Niamh McDonnell

ESSAY

Scénario du Film Passion: Writing Video at the End of Cinema

By Duncan White

QUESTION AND ANSWER

The Patagonian Hare

By Libby Saxton

Begotten with Live Score

Old Joy

ESSAY

24 Frames a Second: Peter Tscherkassky, Gustav Deutsch and the Austrian Avant-Garde

By Juliet Jacques

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ARTICLE

The Hills Are Alive

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Guy Maddin’s History of Cinema

REVIEW

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ARTICLE

Return of the Real: Introducing The Artists Cinema

QUESTION AND ANSWER

Pawel Pawlikowski Masterclass: Between Documentary and Drama

INTERVIEW

Return of the Frontiersman: Rudy Wurlitzer in Conversation

ARTICLE

To See, If Only Once: Eurydice - She, So Beloved…

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ESSAY

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The Patagonian Hare

Begotten with Live Score

Old Joy

ESSAY

24 Frames a Second: Peter Tscherkassky, Gustav Deutsch and the Austrian Avant-Garde

Take Two: Fire Walk with Me / Laura

Close-Up on Ousmane Sembène