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ARTICLE

''What you get is exactly what you see'': Denis Lenoir, Director of Photography

By Jean-Michel Frodon

Ida Lupino: The Best of Her Television Work

Tsuchimoto Noriaki: Film Is a Work of Living Beings

ARTICLE

The Atrocity Exhibition: A Director's Statement

By Jonathan Weiss

REVIEW

A Body of Work

By David Rudkin

INTERVIEW

Offshore Speculation: In conversation: Anja Kirschner, director of Polly II Plan for a Revolution in Docklands

By William Fowler

DOCUMENT

Barton Aerodrome: From a Work-in-Process

By Nicholas Royle

ARTICLE

The White Spirits: From Bolshevism to Belfast, a Work and Life in Progress

By Daniel Edelstyn

ESSAY

Entering the Desert: The Book of Film Socialisme

By James S. Williams

Close-Up on Danny Lyon Programme 1

Close-Up on Kelly Reichardt

Ben Rivers: Collected Stories

ARTICLE

Mapping Perception: In Hindsight a Reflection

By Andrew Kötting

Related Items

ARTICLE

''What you get is exactly what you see'': Denis Lenoir, Director of Photography

Ida Lupino: The Best of Her Television Work

Tsuchimoto Noriaki: Film Is a Work of Living Beings

ARTICLE

The Atrocity Exhibition: A Director's Statement

REVIEW

A Body of Work

INTERVIEW

Offshore Speculation: In conversation: Anja Kirschner, director of Polly II Plan for a Revolution in Docklands

DOCUMENT

Barton Aerodrome: From a Work-in-Process

ARTICLE

The White Spirits: From Bolshevism to Belfast, a Work and Life in Progress

ESSAY

Entering the Desert: The Book of Film Socialisme

Close-Up on Danny Lyon Programme 1

Close-Up on Kelly Reichardt

Ben Rivers: Collected Stories

ARTICLE

Mapping Perception: In Hindsight a Reflection

Absent Forces: The Politics of the Eerie in English Rural Moving Image

El Sur