Archives

ARTICLE

Why and for Whom Do We Film Today?

By Abbas Kiarostami, Merzak Allouache, Gaston Kaboré, Nour-Eddine Sail

Close-Up on the Czechoslovak New Wave

ARTICLE

Future of the BFI: The BFI which Will Be 67 in the Year 2000

By Michael Chanan and Julian Petley

Frans Zwartjes: Masterpiece

The Merchant of Four Seasons

ARTICLE

Vertigo Café: Jon Jost and ‘Dokumenta’

By WR and MD

ESSAY

Kira Muratova’s Searing World

By Elena Gorfinkel

INTERVIEW

Letters from the Shadows

By Graeme Hobbs

Informe General II

EDITORIAL

Volume 1 - Issue 4 - Editorial

By Margaret Dickinson

Hortensia/Beancé

ARTICLE

Duality of Light

By Wendy Walker

ARTICLE

How Iran's 'filmfarsi' Remains the Biggest Secret in Cinema History

By Ehsan Khoshbakht

ARTICLE

In The Room: Lost Cinema, Post-Cinema, Post-Traumatic Cinema

By Chris Petit

Related Items

ARTICLE

Why and for Whom Do We Film Today?

Close-Up on the Czechoslovak New Wave

ARTICLE

Future of the BFI: The BFI which Will Be 67 in the Year 2000

Frans Zwartjes: Masterpiece

The Merchant of Four Seasons

ARTICLE

Vertigo Café: Jon Jost and ‘Dokumenta’

ESSAY

Kira Muratova’s Searing World

INTERVIEW

Letters from the Shadows

Informe General II

EDITORIAL

Volume 1 - Issue 4 - Editorial

Hortensia/Beancé

ARTICLE

Duality of Light

ARTICLE

How Iran's 'filmfarsi' Remains the Biggest Secret in Cinema History

ARTICLE

In The Room: Lost Cinema, Post-Cinema, Post-Traumatic Cinema

Jonas Mekas 100!