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ARTICLE
The Enemy in the Brain
By
Julian Petley, James Leahy
ARTICLE
Visionary Storytelling: Edgar Reitz’s Die Zweite Heimat
By
John Mepham
ARTICLE
Why and for Whom Do We Film Today?
By
Abbas Kiarostami, Merzak Allouache, Gaston Kaboré, Nour-Eddine Sail
ARTICLE
Shadows of Sergei Paradjanov
By
James Norton
ARTICLE
Hotel Diaries: John Smith Makes Room for Reflection
By
Ian Christie
ARTICLE
An Organisation of Dreams
By
Ken McMullen
ARTICLE
Arden / Bond / Sound / Vision
By
Sean Kaye-Smith
ARTICLE
London: A Metaphysical Mirror
By
Adam Kossoff
ARTICLE
Instead of Dreaming of New Ideas
By
Gill Henderson
ESSAY
Divisions Upon a Ground
By
Dai Vaughan
ESSAY
The Cinema Effect
By
Patrick Ellis
OBITUARY
In the Light of Eduardo Guedes
By
Pascale Lamche
ARTICLE
Mysterious Britain: Jane Arden, Jethro Tull and 1973
By
Sean Kaye-Smith
REVIEW
Transcending the Abject: A review of Seul contre tous
By
Tony McKibbin
ESSAY
Simone Weil: Notes on a Timid Cinema
By
Anat Pick
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