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ARTICLE

Persistent Fallacy Gives Good Rhetoric

By James Leahy

ARTICLE

British Cinema – The View from Europe

By Ian Christie

ARTICLE

The Persistence of Vision

By Peter Sainsbury

ARTICLE

An Old Place

By Cyril Neyrat

ARTICLE

Reverse Angle: The 1960s and the Possibility of Radical Underground Film in Japan

By Go Hirasawa

INTERVIEW

An interview with Artist Ben Rivers

By William Rose

ARTICLE

Unknown Pleasures

By Sean Kaye-Smith

ARTICLE

Filming Gravel and Stones in Cambodia

By Edward Hofman

REVIEW

To a Dog you're the World, to your Girlfriend you're never Sure

By John Gorick

ARTICLE

“Somewhere as Yet Undiscovered”: Thoughts on Power, Desk Killing and Resistance

By Dan Gretton

REVIEW

Strange and Familiar

By Steven Ball

ARTICLE

Film Frame to Skin Cell

By Niamh McDonnell

ESSAY

Scénario du Film Passion: Writing Video at the End of Cinema

By Duncan White

Related Items

ARTICLE

Persistent Fallacy Gives Good Rhetoric

ARTICLE

British Cinema – The View from Europe

ARTICLE

The Persistence of Vision

ARTICLE

An Old Place

ARTICLE

Reverse Angle: The 1960s and the Possibility of Radical Underground Film in Japan

INTERVIEW

An interview with Artist Ben Rivers

ARTICLE

Unknown Pleasures

ARTICLE

Filming Gravel and Stones in Cambodia

REVIEW

To a Dog you're the World, to your Girlfriend you're never Sure

ARTICLE

“Somewhere as Yet Undiscovered”: Thoughts on Power, Desk Killing and Resistance

REVIEW

Strange and Familiar

ARTICLE

Film Frame to Skin Cell

ESSAY

Scénario du Film Passion: Writing Video at the End of Cinema

James Benning: Landscape Suicide

Close-Up on Jean-Luc Godard