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ARTICLE
Dancing at the Crossroads
By
Sue Clayton
ARTICLE
Why and for Whom Do We Film Today?
By
Abbas Kiarostami, Merzak Allouache, Gaston Kaboré, Nour-Eddine Sail
ARTICLE
‘He was the only man I had been waiting for.’ Monsieur Artaud and Monsieur Prevel
By
Patricia Duncker
ARTICLE
Subtitled and Silent Films
By
Dora Stewart
ARTICLE
The New Black
By
Karen Alexander
INTERVIEW
Everywhere Is Different and Everywhere Is the Same: Frederick Wiseman and the Making of the World
By
Robert Chilcott
ARTICLE
Think, Shoot, Distribute
By
Peter Fraser
ARTICLE
Telling the Truth About Ireland
By
Ronan Bennett
ARTICLE
The Gang that Can't Shoot Straight
By
Brian Robinson and Lucinda Henderson
ARTICLE
Transitions: Cinema and Video Art from Georgia
By
James Norton
ARTICLE
Instead of Dreaming of New Ideas
By
Gill Henderson
ARTICLE
Desire in Action: The Cube Microplex and the Future of Cinema
By
Graeme Hogg and Chris Williams
ARTICLE
You See the End Before the Beginning Has Ever Begun
By
Owen Armstrong
ARTICLE
The Life of a Vampyr
By
David Rudkin
INTERVIEW
Arctic Dreams: Asif Kapadia, Far North and the Possibilities of Cinema
By
Gareth Evans
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