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ESSAY
The Opened Hand: Reflections on Artur Aristakisyan's Palms
By
Graeme Hobbs
OBITUARY
We do everything for this art, but this art isn’t everything
By
George Clark and Redmond Entwistle
ARTICLE
Bringing it all Back Home
By
Yto Barrada
MANIFESTO
Vision Machine: a Web of Stories, Networked Solidarities
ARTICLE
A Story of a Forgotten Tail
By
Nadim Karam
ARTICLE
Occupation Rough Cut
By
Maysoon Pachachi
ARTICLE
Whose Side Are you on?
By
Gaylene Gould
REVIEW
Fault Lines, Changing States
By
Lucy Reynolds
EDITORIAL
Volume 3 - Issue 1 - Editorial
ESSAY
Motion Sickness: Matthew Noel-Tod’s Nausea
By
Steven Ball
ARTICLE
Telling it Like it Is: A Report from the Sheffield International Documentary Festival
By
Holly Aylett
ARTICLE
Reverse Angle: The 1960s and the Possibility of Radical Underground Film in Japan
By
Go Hirasawa
ESSAY
Something in the Interval
By
Marina Vishmidt
ESSAY
From First Principles: A Prehistory of the Slade Film Department
By
Henry K. Miller
INTERVIEW
The Squirrels Made it Seem Less Lonely: Terry Gilliam on the State of Things
By
Robert Chilcott
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