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Three Colours: Blue
Victoria
Julius-Amédée Laou: Short, Sharp Shocks
Black Orpheus
F for Fake
Close-Up on Chantal Akerman
Sanrizuka 6: Solidarity Struggles: Sanrizuka – Larzac
ARTICLE
Visionary Storytelling: Edgar Reitz’s Die Zweite Heimat
By
John Mepham
ARTICLE
Why and for Whom Do We Film Today?
By
Abbas Kiarostami, Merzak Allouache, Gaston Kaboré, Nour-Eddine Sail
ARTICLE
Shadows of Sergei Paradjanov
By
James Norton
ARTICLE
A Shrug of the Shoulders: Marcel L’Herbier’s L’Argent
By
Graeme Hobbs
ESSAY
Image, Meaning, History… & the Voice of God
By
James Leahy
ARTICLE
Why the Documentary Cinema?
By
Henri Storck
ESSAY
U.S. and Them: I’m Not There and American Surrealism
By
Jerry White
ARTICLE
Alfredo Garcia and Other Peckinpah Tales
By
Lee Hill
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