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INTERVIEW

From the Beats to the Beastly

By Jay Clifton

ARTICLE

The Demonstration: Editing Unrest in Grosvenor Square

By Dai Vaughan

ESSAY

The Image and the Witness: Trauma, Memory and Visual Culture

By Frances Guerin and Roger Hallas

ARTICLE

Fatherlands: On Mahamat-Saleh Haroun, Africa and an Evolving Political Cinema

By Jerry White

ESSAY

No Hope without the Possibility of a Wound

By Gareth Evans

ARTICLE

The Slade School and Cinema: Part Two

By Henry K. Miller

ESSAY

Personal Cinema: Józef Robakowski’s Cinematic Works

By Patricia Grzonka

ESSAY

A Photograph and a Camera: Two Objects in Film Socialisme

By Roland-François Lack

INTERVIEW

After the Garden

By Julian Ross

Related Items

INTERVIEW

From the Beats to the Beastly

ARTICLE

The Demonstration: Editing Unrest in Grosvenor Square

ESSAY

The Image and the Witness: Trauma, Memory and Visual Culture

ARTICLE

Fatherlands: On Mahamat-Saleh Haroun, Africa and an Evolving Political Cinema

ESSAY

No Hope without the Possibility of a Wound

ARTICLE

The Slade School and Cinema: Part Two

ESSAY

Personal Cinema: Józef Robakowski’s Cinematic Works

ESSAY

A Photograph and a Camera: Two Objects in Film Socialisme

INTERVIEW

After the Garden

Nippon Year Zero: Japanese Experimental Films from the 1960s-1970s

Close-Up on Sergei Eisenstein

Behind This Soft Eclipse

OJOBOCA: Anja Dornieden & Juan David González Monroy

The Unveiled

F for Fake