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ARTICLE
The Demonstration: Editing Unrest in Grosvenor Square
By
Dai Vaughan
ESSAY
The Image and the Witness: Trauma, Memory and Visual Culture
By
Frances Guerin and Roger Hallas
ARTICLE
Fatherlands: On Mahamat-Saleh Haroun, Africa and an Evolving Political Cinema
By
Jerry White
ESSAY
No Hope without the Possibility of a Wound
By
Gareth Evans
ARTICLE
The Slade School and Cinema: Part Two
By
Henry K. Miller
ESSAY
Personal Cinema: Józef Robakowski’s Cinematic Works
By
Patricia Grzonka
ESSAY
A Photograph and a Camera: Two Objects in Film Socialisme
By
Roland-François Lack
INTERVIEW
After the Garden
By
Julian Ross
Nippon Year Zero: Japanese Experimental Films from the 1960s-1970s
Several Friends + Killer of Sheep
Behind This Soft Eclipse
OJOBOCA: Anja Dornieden & Juan David González Monroy
The Unveiled
F for Fake
Walerian Borowczyk: Obscure Pleasures
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