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ARTICLE

‘He was the only man I had been waiting for.’ Monsieur Artaud and Monsieur Prevel

By Patricia Duncker

Michael Robinson: Line Describing your Mom

REVIEW

Bill Viola: Reasons for Knocking at an Empty House: Writings 1973-1994

By Nicky Hamlin

ARTICLE

Godard's Sons: Why Are they all Bastards?

By Laurence Remila

INTERVIEW

27 Years Without Images

By Julian Ross

AUDIO

Shanghai Frolic

By Andrew Kötting

QUESTION AND ANSWER

Line Describing Your Mom

EDITORIAL

Volume 4 - Issue 3 - These Are the Times: The Images on the Thresold

By Vertigo

More or Less Annihilated by Saccadic Enchainment by the Sea

ARTICLE

A Shrug of the Shoulders: Marcel L’Herbier’s L’Argent

By Graeme Hobbs

Close-Up on John Cassavetes

MANIFESTO

The Cinematic Guerrilla (aka ‘the blind dialectic of vision’)

By the Celluloid Liberation Front

The Panic in Needle Park

ARTICLE

Writing as Magic in London in Its Summer: Iain Sinclair and the Crafting of Place

By Kathy Acker

Related Items

ARTICLE

‘He was the only man I had been waiting for.’ Monsieur Artaud and Monsieur Prevel

Michael Robinson: Line Describing your Mom

REVIEW

Bill Viola: Reasons for Knocking at an Empty House: Writings 1973-1994

ARTICLE

Godard's Sons: Why Are they all Bastards?

INTERVIEW

27 Years Without Images

AUDIO

Shanghai Frolic

QUESTION AND ANSWER

Line Describing Your Mom

EDITORIAL

Volume 4 - Issue 3 - These Are the Times: The Images on the Thresold

More or Less Annihilated by Saccadic Enchainment by the Sea

ARTICLE

A Shrug of the Shoulders: Marcel L’Herbier’s L’Argent

Close-Up on John Cassavetes

MANIFESTO

The Cinematic Guerrilla (aka ‘the blind dialectic of vision’)

The Panic in Needle Park

ARTICLE

Writing as Magic in London in Its Summer: Iain Sinclair and the Crafting of Place

Les Dames du Bois de Boulogne