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ARTICLE
Why and for Whom Do We Film Today?
By
Abbas Kiarostami, Merzak Allouache, Gaston Kaboré, Nour-Eddine Sail
ARTICLE
Shadows of Sergei Paradjanov
By
James Norton
ARTICLE
Black Square, White Square
By
Jacquetta May
ARTICLE
Like an Anaconda, Blowing in the Wind
By
Mark Stafford
ESSAY
Image, Meaning, History… & the Voice of God
By
James Leahy
ARTICLE
Why the Documentary Cinema?
By
Henri Storck
ARTICLE
London: No Time for Contradiction
By
Mike Phillips
ARTICLE
Long Live Lulu
By
James DC
ARTICLE
Instead of Dreaming of New Ideas
By
Gill Henderson
ARTICLE
When Signs Come Home to Roost: Dan Geva’s Description of a Memory
By
Catherine Lupton
ARTICLE
Beat It
By
Rosy Rockets
ESSAY
Moment by Moment by Moment: Reflections on Jonas Mekas’ 365 Films
By
Tom Smith
ARTICLE
Mysterious Britain: Jane Arden, Jethro Tull and 1973
By
Sean Kaye-Smith
REVIEW
Epiphany Now
By
Hannah Patterson
REVIEW
Transcending the Abject: A review of Seul contre tous
By
Tony McKibbin
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