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ARTICLE
Like an Anaconda, Blowing in the Wind
By
Mark Stafford
ARTICLE
London: The Commonplace Transfigured
By
John Mepham
ESSAY
On the Quays’ Side: The Comb (from The Museums of Sleep)
By
Claire Kitson
ARTICLE
Conflict Resolutions: Alexander Sokurov, Alexandra and the Survival of the Human
By
James Norton
ARTICLE
Throw Your Watch to the Water
By
Lucy Reynolds
ARTICLE
These Isles are Alive with the Buzz of D1g1ts
By
Brian Winston
ARTICLE
Madness Contained: Werner Herzog’s Return to the ‘scene of the crime’
By
Brad Prager
ARTICLE
The Art of Showing Nothing
By
Rosy Rockets
REVIEW
Visionary Landscapes: The Films of Nina Danino
By
Althea Greenan
REVIEW
Distant Voices, Still Lives and Journeys of Desire
By
Jason Wood
ARTICLE
The Films of Peter Whitehead
By
Robert Chilcott
ARTICLE
Reeling: Is the British Film Institute at Risk?
By
Michael Chanan
REVIEW
To a Dog you're the World, to your Girlfriend you're never Sure
By
John Gorick
ARTICLE
Do Impossible Things: 1968 and its Legacies
By
Sukhdev Sandhu
ARTICLE
Germany in Autumn
By
Pepe Petos
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