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INTERVIEW
The London Film School at 50
By
Robert Chilcott
ARTICLE
The Maltese Double Cross: Allan Francovich’s Film on Lockerbie and the CIA
By
Michael Chanan
ARTICLE
Why Do You Make Films?: Film as a Bridge
By
Víctor Erice
ARTICLE
Rewriting the Script on Film Development
By
Robin Macpherson
ARTICLE
Film as Subversive Art
By
Scott MacDonald
ARTICLE
Future of the BFI: Grandeur and Misery of Film Culture
By
Geoffrey Nowell-Smith
ARTICLE
The Cinematic Tango: Contemporary Argentine Film
By
Tamara Falicov
ARTICLE
Rushes Short Film Festival
By
Owen Armstrong
London Korean Film Festival 2017
ARTICLE
Disreputable Behaviour: The Hidden Politics of the Thai Film Act
By
May Adadol Ingawanij
ESSAY
A Photograph and a Camera: Two Objects in Film Socialisme
By
Roland-François Lack
Free Radicals: A History of Experimental Film followed by Q&A with Pip Chodorov
Film Course: Surrealism and Cinema from Luis Buñuel to David Lynch
November Film Festival
Film Course: Surrealism in Cinema from Luis Buñuel to David Lynch
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