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ARTICLE

Turning to Dust: The Gothic Cinema of Philip Ridley

By James Rose

ESSAY

Trailer for Godard's Histoire(s) du Cinema

By Jonathan Rosenbaum

INTERVIEW

Conte de Fesses to Conte de Fées

By James Norton

ESSAY

On the Quays’ Side: The Comb (from The Museums of Sleep)

By Claire Kitson

ARTICLE

Image Picture Frame

By Jon Jost, Patrick Keiller, Sam Lamche McMullen, John Maybury and Amie Siegel

DOCUMENT

Fragments from Zeroville

By Chris Darke

INTERVIEW

The Quiet Genius of Victor Erice

By Geoff Andrew

ARTICLE

The Art of Destruction: The Films of the Vienna Action Group

By Stephen Barber

ARTICLE

Hell at the Ocean's Edge

By Vaughan Pilikian

ARTICLE

Intimate Distance: On Moving Images in Live Performance

By Jack McNamara

INTERVIEW

An Infinite Amount of Choices: Wim Wenders and a Life Inside Cinema

By Jason Wood

ESSAY

“Elpenor, Unburied”: Ezra Pound, Jean-Luc Godard and the Descent of Dwelling

By Corin Depper

Related Items

ARTICLE

Turning to Dust: The Gothic Cinema of Philip Ridley

ESSAY

Trailer for Godard's Histoire(s) du Cinema

INTERVIEW

Conte de Fesses to Conte de Fées

ESSAY

On the Quays’ Side: The Comb (from The Museums of Sleep)

ARTICLE

Image Picture Frame

DOCUMENT

Fragments from Zeroville

INTERVIEW

The Quiet Genius of Victor Erice

ARTICLE

The Art of Destruction: The Films of the Vienna Action Group

ARTICLE

Hell at the Ocean's Edge

ARTICLE

Intimate Distance: On Moving Images in Live Performance

INTERVIEW

An Infinite Amount of Choices: Wim Wenders and a Life Inside Cinema

ESSAY

“Elpenor, Unburied”: Ezra Pound, Jean-Luc Godard and the Descent of Dwelling

Second Run: The Third Part of the Night

Take Two: Johnny Guitar / Pierrot le fou

Close-Up on Orson Welles