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ARTICLE
I Like the FID and the FID Likes Me
By
Celluloid Liberation Front
ARTICLE
The Maltese Double Cross: Allan Francovich’s Film on Lockerbie and the CIA
By
Michael Chanan
ARTICLE
I Long for Stalin and I Want Good Violence
By
Elke De Witt
ARTICLE
Visual Art and the Moving Image
By
James Swinson
ARTICLE
The Moving and the Still
By
Sukhdev Sandhu
ARTICLE
Three Exercises in Symmetry: Marcel Carné and Filmic Formalities
By
Dai Vaughan
REVIEW
The Main Course
By
the Celluloid Liberation Front
ARTICLE
Cobra Mist: Emily Richardson and the Legacy of Orford Ness
By
Will Stone
ARTICLE
Moving Memories: Variety
By
Ian Breakwell
INTERVIEW
Documenting Nostalgia, Memory and Home
By
Nancy Harrison and Lee Hill
ARTICLE
A Lasting Light
By
Pat McCarthy
INTERVIEW
The Mystery, as Always: Raúl Ruiz, Klimt and the Poetics of Cinema
By
James Norton
ARTICLE
Notes on an Indulgence
By
Catherine Clinger
ARTICLE
Neighbourhood Watching
By
Graham Hodge
ARTICLE
Bringing it all Back Home
By
Yto Barrada
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