Archives

By Doc House

EDITORIAL

A Double Bind

By Damien Sanville

The Edge of Belief

POEM

I Wanted

By Roque Dalton

ARTICLE

The State of Things: Transition in South African Cinema

By Jeremy Nathan

ARTICLE

Nothing is More Bourgeois than Being Afraid to Look Bourgeois

By Robert Chilcott

INTERVIEW

Look Out, It’s Real!: J.G. Ballard on Mondo Cinema and the 1960s

By Mark Goodall

As I Was Moving Ahead Occasionally I Saw Brief Glimpses of Beauty

ARTICLE

‘He was the only man I had been waiting for.’ Monsieur Artaud and Monsieur Prevel

By Patricia Duncker

ARTICLE

London: The Commonplace Transfigured

By John Mepham

ESSAY

Terrence Malick’s Heideggerian Cinema

By Marc Furstenau and Leslie MacAvoy

ARTICLE

Palestinian Cinema: An Example for the Region?

By Omar Al-Qattan

ESSAY

“Elpenor, Unburied”: Ezra Pound, Jean-Luc Godard and the Descent of Dwelling

By Corin Depper

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EDITORIAL

A Double Bind

The Edge of Belief

POEM

I Wanted

ARTICLE

The State of Things: Transition in South African Cinema

ARTICLE

Nothing is More Bourgeois than Being Afraid to Look Bourgeois

INTERVIEW

Look Out, It’s Real!: J.G. Ballard on Mondo Cinema and the 1960s

As I Was Moving Ahead Occasionally I Saw Brief Glimpses of Beauty

ARTICLE

‘He was the only man I had been waiting for.’ Monsieur Artaud and Monsieur Prevel

ARTICLE

London: The Commonplace Transfigured

ESSAY

Terrence Malick’s Heideggerian Cinema

ARTICLE

Palestinian Cinema: An Example for the Region?

ESSAY

“Elpenor, Unburied”: Ezra Pound, Jean-Luc Godard and the Descent of Dwelling