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By Sophie Mayer

ARTICLE

I Like the FID and the FID Likes Me

By Celluloid Liberation Front

ARTICLE

BFI Films: A Remit for Cultural Diversity

By Jane Giles

ARTICLE

Has Anyone Seen this Girl?

By Chris Darke

INTERVIEW

The Tokyo Mystery

By Ben Slater

ESSAY

The Negation of Cinema: Some Brief Notes on Letterist Cinema 1950 - 1952

By Louis Benassi

ESSAY

Scénario du Film Passion: Writing Video at the End of Cinema

By Duncan White

ESSAY

“Elpenor, Unburied”: Ezra Pound, Jean-Luc Godard and the Descent of Dwelling

By Corin Depper

Close-Up on Robert Bresson

The Exquisite Corpus

VHS in off-World: Videograms of a Revolution

Mythical Poetry: The Cinema of Govindan Aravindan

ESSAY

The Image Speaks: Miloš Forman and Free Cinema

By Peter Hames

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Close-Up on Chantal Akerman

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The Empire’s New Clothes: Sally Potter’s RAGE

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I Like the FID and the FID Likes Me

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BFI Films: A Remit for Cultural Diversity

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Has Anyone Seen this Girl?

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The Tokyo Mystery

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The Negation of Cinema: Some Brief Notes on Letterist Cinema 1950 - 1952

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Scénario du Film Passion: Writing Video at the End of Cinema

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Close-Up on Robert Bresson

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VHS in off-World: Videograms of a Revolution

Mythical Poetry: The Cinema of Govindan Aravindan

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The Image Speaks: Miloš Forman and Free Cinema

On the Road