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By James Swinson

ESSAY

Entering the Desert: The Book of Film Socialisme

By James S. Williams

The Films of Danièle Huillet and Jean-Marie Straub

Never on Sunday

Histoire(s) du cinéma

ARTICLE

‘He was the only man I had been waiting for.’ Monsieur Artaud and Monsieur Prevel

By Patricia Duncker

Close-Up on Aki Kaurismäki

ARTICLE

No Rest ’Til Zanzibar

By Kieron Corless

ESSAY

A Photograph and a Camera: Two Objects in Film Socialisme

By Roland-François Lack

ARTICLE

Last Thoughts; Birth of a Journal

By Serge Daney

ARTICLE

Godard's Sons: Why Are they all Bastards?

By Laurence Remila

MANIFESTO

Kino Korrespondence

By Ken McMullen

ARTICLE

Don't Try this at Home: Tarantino

By Ian Penman

REVIEW

Pasolini and Sade: A Maleficent Obsession

By Stephen Barber

Related Items

Histoire(s) du cinéma

ARTICLE

Visual Art and the Moving Image

ESSAY

Entering the Desert: The Book of Film Socialisme

The Films of Danièle Huillet and Jean-Marie Straub

Never on Sunday

Histoire(s) du cinéma

ARTICLE

‘He was the only man I had been waiting for.’ Monsieur Artaud and Monsieur Prevel

Close-Up on Aki Kaurismäki

ARTICLE

No Rest ’Til Zanzibar

ESSAY

A Photograph and a Camera: Two Objects in Film Socialisme

ARTICLE

Last Thoughts; Birth of a Journal

ARTICLE

Godard's Sons: Why Are they all Bastards?

MANIFESTO

Kino Korrespondence

ARTICLE

Don't Try this at Home: Tarantino

REVIEW

Pasolini and Sade: A Maleficent Obsession