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ARTICLE
Signal Fires at the Crossroads
By
Jem Cohen
ARTICLE
Smoking Cabinet
By
Claire Cooke and Simone Pyne
ARTICLE
Why and for Whom Do We Film Today?
By
Abbas Kiarostami, Merzak Allouache, Gaston Kaboré, Nour-Eddine Sail
ESSAY
The Image and the Witness: Trauma, Memory and Visual Culture
By
Frances Guerin and Roger Hallas
FILM
Rachel Garfield: Travailler Avec Stephen Dwoskin
Director:
Frédérique Devaux
|
Michel Amarger
ESSAY
"I am playing leapfrog with myself"
By
Jürgen E. Müller
ESSAY
“Elpenor, Unburied”: Ezra Pound, Jean-Luc Godard and the Descent of Dwelling
By
Corin Depper
John Smith: Introspective (1972-2022)
ARTICLE
Mysterious Britain: Jane Arden, Jethro Tull and 1973
By
Sean Kaye-Smith
ARTICLE
Persistent Fallacy Gives Good Rhetoric
By
James Leahy
ESSAY
From First Principles: A Prehistory of the Slade Film Department
By
Henry K. Miller
ARTICLE
The Memo Book: The Films and Video of Matthias Muller
By
Stefanie Schulte Strathaus
ARTICLE
Face up to Croaking it
By
Charles Jason Lee
REVIEW
Godard as God?
By
Emilie Bickerton
FILM
Henry Moore
Director:
John Read
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