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ARTICLE

Nothing Is True. Everything Is Permissible.

By John Bradburn

REVIEW

Raul Ruiz and the Book of Disappearances/the Book of Tractions

By Paul Buck

ARTICLE

Squaring the Circle

By Emilie Bickerton

LETTER

A Letter to a Boy from his Mother

By Tilda Swinton

ARTICLE

Seasons Past: The Films of Michael J. Ham

By William Fowler

ARTICLE

Wholly Attending: Notes on the Lessons of Black Sun

By Gareth Evans

ESSAY

"Tensional Differences": The Anxiety of Re-Mediation in Jean-Luc Godard’s New Wave Films

By Ágnes Pethő

Kurt Kren: Which Way to CA?

INTERVIEW

At Least I Will Know My Face

By Lucy Reynolds

Seeing/Hearing/Speaking: The Films of Takahiko Iimura + Live Performance

Close-Up on Robert Bresson

ARTICLE

African Cinema: Addressee

By Rod Stoneman

ARTICLE

The Local and the Global

By Stuart Hall

ARTICLE

Future of the BFI: Moving Towards the Millennium... Visual Culture in the Digital Age

By Graham Murdoch

Related Items

ARTICLE

Nothing Is True. Everything Is Permissible.

REVIEW

Raul Ruiz and the Book of Disappearances/the Book of Tractions

ARTICLE

Squaring the Circle

LETTER

A Letter to a Boy from his Mother

ARTICLE

Seasons Past: The Films of Michael J. Ham

ARTICLE

Wholly Attending: Notes on the Lessons of Black Sun

ESSAY

"Tensional Differences": The Anxiety of Re-Mediation in Jean-Luc Godard’s New Wave Films

Kurt Kren: Which Way to CA?

INTERVIEW

At Least I Will Know My Face

Seeing/Hearing/Speaking: The Films of Takahiko Iimura + Live Performance

Close-Up on Robert Bresson

ARTICLE

African Cinema: Addressee

ARTICLE

The Local and the Global

ARTICLE

Future of the BFI: Moving Towards the Millennium... Visual Culture in the Digital Age

Rouch 100