Archives

ARTICLE

Transitions: Cinema and Video Art from Georgia

By James Norton

ESSAY

Unbearable Lightness of a Moment: Impressions from Oberhausen and Beyond

By Tereza Stehlíková

In Focus: Mary Helena Clark 3

ESSAY

The Opened Hand: Reflections on Artur Aristakisyan's Palms

By Graeme Hobbs

ARTICLE

Things that Quicken the Heart

By Catherine Lupton

ARTICLE

Nothing Is True. Everything Is Permissible.

By John Bradburn

REVIEW

Raul Ruiz and the Book of Disappearances/the Book of Tractions

By Paul Buck

ARTICLE

Squaring the Circle

By Emilie Bickerton

LETTER

A Letter to a Boy from his Mother

By Tilda Swinton

ARTICLE

Seasons Past: The Films of Michael J. Ham

By William Fowler

ESSAY

"Tensional Differences": The Anxiety of Re-Mediation in Jean-Luc Godard’s New Wave Films

By Ágnes Pethő

Kurt Kren: Which Way to CA?

INTERVIEW

At Least I Will Know My Face

By Lucy Reynolds

Related Items

ARTICLE

Transitions: Cinema and Video Art from Georgia

ESSAY

Unbearable Lightness of a Moment: Impressions from Oberhausen and Beyond

In Focus: Mary Helena Clark 3

ESSAY

The Opened Hand: Reflections on Artur Aristakisyan's Palms

ARTICLE

Things that Quicken the Heart

ARTICLE

Nothing Is True. Everything Is Permissible.

REVIEW

Raul Ruiz and the Book of Disappearances/the Book of Tractions

ARTICLE

Squaring the Circle

LETTER

A Letter to a Boy from his Mother

ARTICLE

Seasons Past: The Films of Michael J. Ham

ESSAY

"Tensional Differences": The Anxiety of Re-Mediation in Jean-Luc Godard’s New Wave Films

Kurt Kren: Which Way to CA?

INTERVIEW

At Least I Will Know My Face

Seeing/Hearing/Speaking: The Films of Takahiko Iimura + Live Performance

Close-Up on Robert Bresson