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Save our Cinema

By Robert Rusk

ARTICLE

London: Why Is It so Hard to Enjoy?

By Mark Fisher

ARTICLE

Reading the Darkness

By James Rose

ARTICLE

Future Speak

By Stephen Bayly

ARTICLE

Persistent Fallacy Gives Good Rhetoric

By James Leahy

ESSAY

''See You at Mass, Johnny''

By Iain Sinclair

ARTICLE

Notes on Further Investigation

By John Bradburn

ARTICLE

Ann Course and Paul Clark Tell us What they Like and Why…

By Ann Course, Paul Clark

ESSAY

"Tensional Differences": The Anxiety of Re-Mediation in Jean-Luc Godard’s New Wave Films

By Ágnes Pethő

Related Items

ARTICLE

Save our Cinema

ARTICLE

London: Why Is It so Hard to Enjoy?

ARTICLE

Reading the Darkness

ARTICLE

Future Speak

ARTICLE

Persistent Fallacy Gives Good Rhetoric

ESSAY

''See You at Mass, Johnny''

ARTICLE

Notes on Further Investigation

ARTICLE

Ann Course and Paul Clark Tell us What they Like and Why…

ESSAY

"Tensional Differences": The Anxiety of Re-Mediation in Jean-Luc Godard’s New Wave Films

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Indefinite Visions Part I

Image Inverts: Recent Work from the Artist Film Workshop, Melbourne

Filmarmalade: Doozy

Close-Up on John Cassavetes

Tale of Cinema