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Transgression

ARTICLE

Persistent Fallacy Gives Good Rhetoric

By James Leahy

Image Inverts: Recent Work from the Artist Film Workshop, Melbourne

QUESTION AND ANSWER

The Terminal Man

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Close-Up on Orson Welles

DIARY

High Artic, High Definition

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Close-Up on Michelangelo Antonioni

INTERVIEW

Outside the Wire

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ARTICLE

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ARTICLE

The Very Model of a Funding Agency: Reflections on the London Film and Video Development Agency

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Possession

ARTICLE

Video

By James Leahy

Solaris

REVIEW

Nothing Personal

By James Leahy and Marc Karlin

Edge of Frame: After Images

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