Archives

ARTICLE

Real Fiction – Blurring Lines Between Documentary and Fiction

By David Balfour

ESSAY

Entering the Desert: The Book of Film Socialisme

By James S. Williams

Jem Cohen: A Day in the Lives

REVIEW

Bill Viola: Reasons for Knocking at an Empty House: Writings 1973-1994

By Nicky Hamlin

ARTICLE

Writing as Magic in London in Its Summer: Iain Sinclair and the Crafting of Place

By Kathy Acker

ARTICLE

Rendered Invisible: the Silence of the Critics

By Ruth Lingford

ESSAY

Simone Weil: Notes on a Timid Cinema

By Anat Pick

ARTICLE

Mapping Perception: In Hindsight a Reflection

By Andrew Kötting

ARTICLE

Confluences

By James Clarke

LETTER

The Floor

By Reuben Lane

ARTICLE

Marco Ferreri

By Bruno Di Marino, Maurizio Grande, Enzo Ungari, Stefania Parigi

ARTICLE

Ecovisions: Seeing Animals in Recent Ethnographic Film

By Anat Pick

ARTICLE

Look at that, you Won't See that again!

By Elke de Wit

ESSAY

“Elpenor, Unburied”: Ezra Pound, Jean-Luc Godard and the Descent of Dwelling

By Corin Depper

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ARTICLE

Real Fiction – Blurring Lines Between Documentary and Fiction

ESSAY

Entering the Desert: The Book of Film Socialisme

Jem Cohen: A Day in the Lives

REVIEW

Bill Viola: Reasons for Knocking at an Empty House: Writings 1973-1994

ARTICLE

Writing as Magic in London in Its Summer: Iain Sinclair and the Crafting of Place

ARTICLE

Rendered Invisible: the Silence of the Critics

ESSAY

Simone Weil: Notes on a Timid Cinema

ARTICLE

Mapping Perception: In Hindsight a Reflection

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Confluences

LETTER

The Floor

ARTICLE

Marco Ferreri

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Ecovisions: Seeing Animals in Recent Ethnographic Film

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Look at that, you Won't See that again!

ESSAY

“Elpenor, Unburied”: Ezra Pound, Jean-Luc Godard and the Descent of Dwelling

Close-Up on Andrei Tarkovsky