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REVIEW
Telling it Like it (Actually) Is
By
Gabriel Carlyle
ARTICLE
Lights, Camera, Military Action…
By
Guy Westwell
ESSAY
"Tensional Differences": The Anxiety of Re-Mediation in Jean-Luc Godard’s New Wave Films
By
Ágnes Pethő
The Modern Prometheus
ARTICLE
Love, Music, Compromise: the Pop Promo
By
Rod Stoneman
INTERVIEW
Where Angels Fear to Tread
By
Nick Bradshaw
ESSAY
A Photograph and a Camera: Two Objects in Film Socialisme
By
Roland-François Lack
Histoire(s) du cinéma
ARTICLE
Distribution: Now You See It, Now You Don’t
By
Holly Aylett and Margaret Dickinson
ESSAY
Trailer for Godard's Histoire(s) du Cinema
By
Jonathan Rosenbaum
MANIFESTO
Kino Korrespondence
By
Ken McMullen
ARTICLE
I never thought that one day I’d have to pin my hopes on Hitler
By
Elke De Wit
ESSAY
Moment by Moment by Moment: Reflections on Jonas Mekas’ 365 Films
By
Tom Smith
ARTICLE
William Kentridge at The Serpentine
By
Ruth Lingford
DOCUMENT
The Quay Brothers Dictionary
By
Michael Brooke
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